Benvenuto cellini autobiography

Shortly afterwards, in 1527, during the violence accompanying the attack upon Rome by Charles III, Duke of Bourbon, Cellini's bravery proved of exceptional value to the Pope, who rewarded this service by smoothing things over with the Florentine legal authorities. This allowed Cellini to return to his native Florence, although he was soon on the move again - first to the court of the Duke of Mantua, then to Florence. From 1529 until 1537 he spent most of his time in Rome, where he became embroiled in various violent escapades, including two murders, being protected only by Papal intervention.

During this period his main artistic output was a series of medallions - notably Leda and the Swan, created for the Gonfaloniere Gabbriello Cesarino; a medal featuring Heracles and the Nemean Lion, in gold repousse work; and another in chased gold featuring Atlas holding up the world - along with a range of jewellery, as well as dies for private medals and papal coinage.

France

A fall-out with the Pope in the late 1530s ultimately led to Cellini's move to France where he worked at the court of Francis I at Fontainebleau and Paris. It was in France that he created his famous saltcellar (Saliera, 1540-1543, Kunsthistorisches Museum, Vienna) made from gold adorned with enamel, with an ebony base. As always, however, his temperament, artistic skill and debauchery ensured him of numerous enemies, whom he was (for once) unable to subdue by physical means. As a result, after five years of successful goldsmithery, he left Fontainebleau and retired to Florence. (Please note: for more details of the artistic activity at the French royal court, see Fontainebleau School 1530-1610.)

Note About Art Appreciation
To learn how to judge Mannerist artists like the Italian sculptor Benvenuto Cellini, see: How to Appreciate Sculpture. For later works, please see: How to Appreciate Modern Sculpture.

Florence

In Florence Cellini continued as a goldsmith but also took up large-scale sculpture in the round, becoming the rival of sculptor Baccio Bandinelli (1493-1560). His masterpiece, made for Cosimo I de' Medici and one of the greatest examples of Florentine Mannerist sculpture, is the bronze statue Perseus with the head of Medusa (1545-54, Loggia dei Lanzi, Florence). The casting of this immortal statue reportedly caused Cellini the utmost trouble and anxiety, while its final completion and display was hailed with rapturous acclaim from all over Italy. Other notable although not memorable works included his two bronze portrait busts - Cosimo I (1545-8, Bargello, Florence) and Bindo Altoviti (1550, Gardner Museum, Boston) - along with several marble sculptures.

Decline

The unveiling of Perseus (1554) marked the zenith of Cellini's career as an artist. Three years later he was sentenced to four years in jail for illegal physical practices, and his output thereafter was limited to his autobiography and various books on sculpture and the art of goldsmithery. He died unmarried in Florence at the age of 70, though survived by numerous children, and was buried with great honours.